Meet the People

18 Aug 2019, 20:14 PM

Nina Labus, a make-up artist from Rome, who spends summers in Boka Bay, tells us the story of her entry into this popular profession, related to the brilliance of the film industry:

“I work as a look maker. In recent years, it is a profession, which has started to advance, because the intention is to unite the knowledge of makeup - not just beauty, or fashion makeup, which is used for beautification, but also totally the other side of stage makeup, where characterization is done, where we have scars, beards, moustaches, and we also do hair, so that is where the hair goes with that character.

For the last six, seven years, one person has been doing all this, with assistants. The size of the project depends on how many people work - the more actors, the more workforce. ”

Nina has been spending summers in Tivat for 25 years: “I spend at least a month in Tivat in the summer. It has made a lot of progress in recent years, I like how everything is tidied up and how it works on landscaping parks and the city in general.

 Porto Montenegro is a special part of the city, which I like… In comparison to the years when my family came here, I think in ninety-two, it is a huge difference. New town! Although, I see that my husband and my friends, who come from Italy, prefer the old part of the town."

Nina has worked on more than twenty films so far. As a girl, she chose and completed management studies in Belgrade and Paris:

"It was the nineties in our country ... I went first to Paris, where I graduated in 1995 and never returned to Belgrade. I also had a somewhat adventurous spirit and fate took me to Florence. While I was studying in Paris, I hung out with the son of the famous writer Antonio Tabucchi, who kept calling me to Florence. When I went to Florence, I liked it and stayed, and then love took me to Rome, where I have lived for twenty-two years now. ”

Thanks to one love, our make-up artist arrived to Rome and later found another love in Rome:

"Something like that. I got married to my current husband, who is Roman, ten years ago. If someone asked me when I was 18: Would you like to live in Italy, or in Rome, that was never my goal. I dreamed more of other parts of Europe - Amsterdam, London ... When I came to Rome, I fell in love with the climate, since it is warm, the sea is twenty minutes away and of course, the charm and beauty of Rome, since it has such structures, history and culture. Every day something new is discovered ... When my friends and relatives come, then I am their guide through the city. In three, four days, the main can be toured, but Rome still has so much to show. The centre is huge.”

Nina especially wants to tell her story about how she entered the world of makeup and glamour to young people: “I never thought of that either. I was maybe too young and didn't see myself in management at the age of twenty-one. Then in Rome at twenty-four I graduated from a school of makeup, which immediately gave me a way and a profit. It went on gradually, I did not immediately enter the film world. There were also fashion shows, shoots with photographers, but when, after 4, 5 years, I got into that first film project, where I was in charge of our entire section - reparto, I felt that that part of the world belonged to me. "

Charming and in good shape, full of energy, with cute "French" r in pronunciation, the make-up artist does not hide her age: “Today, at the age of forty-five, I work in the film world, where I have progressed. In addition, I became a maestra, a teacher in my environment. I teach about make-up and hairstyles at a private Academy in Rome. ”

How much did she make friends with famous actresses, stars and film personalities in general:

"The world of actors is different, it's a mondo aparte, as the Italians would say, a world unto itself, unlike ours. I work and collaborate with stars such as Maria Grazia Cucinota, Asia Argento, however I look to maintain that professional relationship. I don't want to be a personal make-up artist. It's a figure in my business, usually it's the lead actor, and then some weird dynamics can be set up. I prefer to be in charge of the whole movie and not to go too much into the intimate world of people. "

In addition to Italian films, Nina has worked in a number of international projects, which have taken her to China, Argentina and other distant countries:

"That's the beauty of my job, which has taken me to different continents. In Buenos Aires, we made a movie about Maradona, so we went to his neighborhood where he grew up ... In China, we were a month and a half in Chengdu, which is the third largest city, at least in western China. We toured Italy all over, Paris, across European countries… Last year I did an international project with Canadian director Ken Scott. There were Indians, French, Belgians ... In these co-productions, usually part of the film happens in Italy, in Rome, and they usually shoot in the center of Rome - the Vatican Dome, Spaniard Square and I was the main and responsible for the Italian part of the filming. "

The last movie she worked on was “Piccirida con piedi nudi nella sabia” - Girl Barefoot on Sand, directed by Paolo Licata, with Lucia Sardo and Marta Castiglia.

Although it is not easy to enter and stay in the world of film makeup and the seventh art in general, where connections are paramount, Nina advises young people to be patient. As a sign of encouragement, she adds that she entered this world without anyone. Volere e potere! If we want something, it is indeed possible. It takes time, and nothing happens with the magic wand…

12 Aug 2019, 15:25 PM

Danijel Cerović, one of the leading Montenegrin performers in the domain of classical music, a touring musician and pedagogue, signed a contract recently with the prestigious publishing house Les Productions D'OZ of Canada, which will soon issue two books of his transcription of music by Silvius Leopold Weiss (London the manuscript). The release will contain a CD program for Naxos Music Group which he has recently recorded. Danijel started performing his “Only Weiss” programme this spring in Tivat. It marked the Early Music Day (March 21) on the small scene of the Culture Centre Tivat and he continued playing this programme in Trebinje, Bosnia, Cetinje and Sudbury, Canada. His project is dedicated to the composer and lutenist of the late Baroque, Sylvius Leopold Weiss.  

Danijel Cerović speaks for TMN about his musical voyage and career.  

- Four years ago, you held a concert "Only Bach" in the Summerhouse Buća in Tivat with Goran Krivokapić, also in honour of the Early Music Day. This spring you performed in DTV Partizan, turning your attention to Weiss. How do you find this new, small scene of the Culture Centre?

"Thank you for linking these two concerts. I just remembered about that concert, which was in 2015, time passes so quickly. As a result of circumstances, I played for the same anniversary then, and the “Only Weiss” programme is the backbone of my new project, that is, I had to record music and perform this programme. It was a great pleasure for me to share it with dear people and the audience in Tivat in the new hall, which is very comfortable. I was very comfortable and I hope that the audience felt the same. I know it's difficult to gather people out of season, especially when talking about classical audience and classical guitar, so I'm glad it worked out well."

- What about the program itself? Sylvius Leopold Weiss was a great lutenist, who lived at the end of 17th century, until the mid-eighteenth. You have transcribed his music for guitar and what else would you say about your interest in his music?

"He was a contemporary of Bach and there are indications that they were socializing, and perhaps they also had some joint projects, which is very interesting. It is a rich opus, from which only a few works are played. I'm glad that I have and that I had the opportunity to deal with his opus, researching and trying to transcribe it for classical guitar. This is the music of uncovered beauty, richness and harmony for me, of counterpoint and various kinds of atmospheres. It's probably more receptive than Bach's, or Telemann's music, and at times intimate, as well as rich in different characters, all of which are features of this baroque style, ornaments and various procedures." 

- You have recorded 2 CDs with 6 transcribed Bach's English Suites for Naxos before and you have also recorded Weiss's compositions for Naxos now. Your concert in Tivat was actually the first among your performances dedicated to just Waiss’s music?

"That was the beginning. Such concerts are, of course, a holiday for me, and I'm using them to have a better look at that music outside of my exercise area, where I keep repeating some details, trying to get to some perfection. Concerts are a real challenge for me each time, as it was also in Tivat and I'm glad to get some feedback from the audience and after all from that sound, which I make out of myself, I can listen to it in some space, which is brand new and challenging, like that one. I'm glad that the theme of this project is what it is and that I continue to explore this music, which takes a special place in my art, not to say in my biography, for the sake of not being too formal, but it makes the backbone of my music, especially in the last few years. I am very glad that I have continued in a similar direction after Bach. It's like when you discover Rembrandt, and since he has an incredible opus, you begin to discover his contemporaries, who may not be so familiar and you discover new microcosmos that you enjoy equally. In this case, Weiss was a part of that great Dresden art scene. There is a pleiad of great composers - for that era, who are out of the mainstream and those historical textbooks we deal with today, they are not on the playlists of radio stations playing classical music, yet their music is really fantastic. In the bombing of Dresden in the Second World War, together with the Dresden Library, a bunch of papers and proofs of their creation, as well as the notes themselves, went unchallenged. All in all, I'm glad that we can still find this art, which is really worth it." 

- You have an extraordinary international career, which has stretched over three continents - Europe, America and Asia. You perform as a solo musician, as well as Danijel Cerović and Goran Krivokapić make Montenegrin Guitar Duo, you also collaborate with the chamber and other ensembles…What would you say about your career? You are also a lecturer, jury member, even a founder of festivals?dc

"I had been lucky and privileged that my career has been developing in this particular direction in recent years, not only planned, but also unplanned, where this Weiss story also belongs. So with music, before any business and formal career and success, which is measurable, both with money and social networks, there should be some kind of relationship between the artist and what he is dealing with. A deeper connection should exist for something to happen necessarily and to succeed. I am pleased because I have had and I still have the opportunity to constantly keep in touch with top music, which I am trying to transfer to my instrument and to what I am skilled for. That's why I am also particularly pleased that in the last few years I have exclusively performed my own arrangements of that music, which has not been written in the original for guitar. Even the lute, which is the precursor to this instrument and which should have some touchpoints, believe me, that this is not the case. Then it takes a lot of work to make that music sound on that instrument as it should. So I get to know the possibilities of the instrument and I can look at this performance issue in a non-traditional way. For me, it is the process which I enjoy, which I look forward to day by day."

- An important part of your work is dedicated to students, young generations. You are one of the founders of Montenegro International Guitar Competition, what would you say about it? 

"I am incidentally one of the organizers and founders of this event and I am glad that Tivat has recognized the value of the project and that it has given its support. I mean, above all, the people in the Culture Centre, who are unselfishly in this and in many other projects. The lucky circumstance is that Tivat has become one centre, which has the means, enough financial and sufficient conditions, spatial and organizational, and that people who live in Tivat and who are only visitors have the opportunity to see some of the best productions, especially in theatre, which, I suppose, is the main cultural offer in Tivat, because it is recognized for it. Of course, there are others, including the Guitar Festival, which is a part of EuroStrings. I am always happy when I can be in Tivat, because I have in mind that this is a wonderful place with wonderful people, where things work like anything that goes beyond the borders of Montenegro, in more developed areas. Tivat has its cover face in the form of art projects and I am happy about it!"

The Montenegro International Guitar Contest 2019 was especially successful, bringing great guitar names such as Aniello Desiderio, Juan Canizares. Was it difficult to organize all and what are the plans for next year?

"It was a great pleasure to organize this event in Tivat. We agreed with Culture Centre Tivat and Music Centre of Montenegro to participate in this great collaboration between festivals all around Europe – Eurostrings (European Guitar Festival Collaborative)... There are more than 17 festivals that are collaborating, exchanging artists and the prize winners of the competitions. Besides the great responsibility and challenge that we experienced organizing the event, it is a great pleasure to do it and it means a lot to me personally and to our organization. I am not in a position to discuss programmes for next year, but I can assure you that it is going to be yet another great event that will include classical guitar world masters, as well as the young upcoming musicians from all around the world, that are the winners of the festivals that we are collaborating with."

Danijel Cerovic is continuing his musical voyage with his one and only guitar. The next stop will be in Berlin on September 13th, 20.00hrs, where he will perform together with Goran Krivokapic (Montenegrin Guitar Duo) at Michael Batell's guitars gallery. This December in Miami, Danijel Cerović and Goran Krivokapić will record a CD with Astor Piazzcolla’s music, with the producer Norbert Kraft, marking 100 years of Piazzolla’s birth, which will be celebrated next year.

04 Aug 2019, 23:17 PM

Jovana Popović Benišek, an academic painter from Sremski Karlovci, Serbia, has presented herself to the Montenegrin audience at the Modern Gallery in Budva, the Buca Gallery and other exhibition spaces in Tivat, also in Kotor, where she showed her works at the Festival of Light “Shining Palaces” last summer. She is on a brief visit to Boka Kotorska this summer.

The painter's eye is particularly fond of how Tivat has progressed in recent years, but is still more attached to the old stone houses in Boka, as the stone is a motive for her painting:

"After several years of not coming to Tivat, I noticed that it was progressing at a galloping pace, especially Porto Montenegro. The transition from the old part of the city and the entrance to Porto, as well as all these wonderful residential and commercial buildings, integrated with nature, are well done. Aesthetically pleasing and enjoyable to see! However, I love stone and this is my current preoccupation, since in the meantime, since my last stay here, I have mastered mural painting in Belgrade. At the moment I am doing mosaics and this stone is very inspiring to me. Before that, I have been doing a very interesting, and somewhat neglected, sgraffito technique, which belongs to wall painting. It is done in wet plaster - a very beautiful decorative technique, which decorates the facades, and can also create beautiful works for the interior. "

Jovana started coming to Tivat as a participant in the "Friendship Chain", a painting colony of Marija Rabrenovic, which lasted for a number of years. She has been working as a school teacher for ten years, then as a curator and PR in a gallery, and for the last ten years, she has been a freelance artist. She teaches still and runs workshops with children, especially with children with disabilities: “I also practice art through art therapies. It has been imposed on me spontaneously, because I have been working with children all my life, and psychology has interested me, that is, the person has always been in my focus, although not in my pictures.”

The versatile artist is widely known for the Match Museum in Sremski Karlovci, which she owns. Part of this collection was first presented to the public under the title “Light My Fire” on the eve of the Museum Night at the Pavle Beljanski Memorial Collection in Novi Sad several years ago, and has since attracted a great deal of attention from the media and visitors.

"It's a really beautiful and rare collection that grows every day. I inherited it from my step-mother, the famous actress Jasna Novak, who started collecting matches in her fifties when she lived in Prague. In the 10 years she spent there, she collected nearly 20,000 different specimens from around the world. Now the collection has almost 40 thousand copies from all over the world. This is something that people can really see almost only in Sremski Karlovci, because there is a private museum only in Germany and Sweden, which is unique because it is where the matches came from.

Sremski Karlovci are considered to be a treasure trove of Serbian culture and spirituality, they are also known for their wine, and several years ago for the matches, ” Jovana says.

The last box of matches, which arrived at the Museum a week ago from Croatia, belongs to the time when the Yugoslav Drava factory from Osijek produced matches for export. The matches were exported to Europe, the Middle East, and Egypt. Thanks to Mr. Branimir, visitors have the opportunity to see this beautiful specimen.

"The wonderful idea that beautiful things are not lost in the vortex of the past," is one comment on the museum's FB page.

"An unexpected, thrilling experience, highly recommended," says the other.

These thumbnails can really light our imagination and take us on different trips in no time.

28 Jul 2019, 23:26 PM

Simon Des Etages is a seasoned attorney, working as Deputy General Counsel, Global Retail Banking & Wealth Management at HSBC Bank USA in New York. He has extensive international experience advising on a broad range of legal and regulatory matters, with particular expertise in wealth management and private banking. He is also proud of being a team player with a commitment to developing experienced teams of attorneys.

 Apart from his profession, he is also a musician (plays and composes), a poet, who also likes to draw and paint. His father had come from his native Trinidad to England, where he had met his future wife of Serbian descent and they made their family nest in London.

His site is called "Simon's Place", where he says about himself: “Born in London, UK in 1964 and currently living in New York City.  My adopted spiritual home.” 

 But another faraway place was responsible for building up his spirit as it is. A tiny place on the coast of Montenegro, in Boka Kotorska, just opposite of Perast - Stoliv, (meaning 100 olives), where he used to spend his summers together with his mother, brother, and relatives on his mother’s side.

He spoke about this exclusively for Total Montenegro News.

 “This was another life, a parallel existence, where people lived forever and the little "chocolate boy" was loved unreservedly by his favourite uncles, mother and sisters, the colourful fish that swam in his front garden and sea squids, starfish,  neighbours and strangers, where he’d walk barefoot on baked roads next to the Adriatic, growing hard blisters like tortoises emerging from soft sand, traverse high mountain passes into emerald green vistas, slip around dried snake skins hanging like old socks in the bushes and duck away from large metallic green beetles while nervously passing ancient graveyards full of bleached, weather worn headstones and bones.  He was the strange beloved one that people liked to pinch, the little dark boy they’d squeeze until he’d wince, these were days of goat’s milk and honey, cream cheese (kaymak), home baked bread, muscle rice, home grown water melons, sweet grapes and deep red cherries, sparkling water (kisela voda) and jellied orange peel (slatko) for breakfast, where he lived like a prince and where his most valuable asset was his broad smile and innocent difference, days when love was not questioned but assumed, whether it be an expression of some deep trauma, the breath of god or both wrapped up in a goodnight kiss, with the night’s winged minions clinging like limpets to the ceiling, they mesmerized by the light above and he by their milling throng and diversity, she would stroke his face and say goodnight Sammy my love, sleep tight, remember you go fishing early tomorrow with Chika Juro (Djuro), I love you.”

 Years, even decades have passed since Simon has visited Stoliv and Boka kotorska. Some other kids are playing now, where he used to play with his cousins and friends. Their games have changed, but maybe some of them still exist. Chika Juro passed away a long time ago and there is nothing left of his old wooden boat, which he used for fishing with Simon and other kids. The old stone house, about three centuries old is still there, but with new owners. Maybe some of them will try to preserve the true meaning and old fragrance of Stoliv.

Meanwhile, this parallel existence is still there, in the mind of this serious grown – up with preserved child’s soul. Cheers, bro.

07 Jul 2019, 20:44 PM

7. July 2019 - “Miklja is the best journalist amongst writers and the best writer amongst journalists”, some used to say, but what does it really mean? Dušan Miklja himself laughs at this, simply continuing his work.

Miklja was born in Belgrade, where he lives today, except when he spends his time in Boka. He graduated English language and literature at the Faculty of Philology, Belgrade University.

He has been Tanjug’s (ex Yugoslavia’s official news agency) correspondent from all over the world, but especially from Africa, out of which he reported on many dramatical historical events. He knew many world leaders in person, as well as guerilla leaders. He was awarded for lifetime achievement in 1995 from the Association of Journalists of Serbia and Montenegro.

Miklja is the author of many collections of stories, travel-essayist prose and novels. His passion for Boka started long ago, before he bought a part of a house in Krašići almost thirty years ago, making him Boka's summer resident. He talks about his feelings towards this special bay in the Mediterranean for TMN:

“I try to stay here as long as I can, since it is so nice. It is good for a man to change his whereabouts from time to time. I travelled a lot, but Boka is one of my favorite places. Boka is a small cosmos. It brings together all the virtues in which a man wants to enjoy. There are a few bays and places in the world that can be compared to Boka. All the beauty is condensed in such a small space. But, a lot has changed in Boka and Tivat. Maybe for the better. But I love old towns, old streets. That's why Kotor is so dear to me, especially those old places that have been preserved. We should not leave ourselves completely covered by concrete. I am not in favour of such urban policy. We should build new, but planned, with good balance. It must be a continuous string. Because tourists have become more selective. Montenegro has so much to offer. Her traditions, customs, herbs, meals cannot be found elsewhere."

One of his novels, “Summer” (“Leto”) is dedicated to Boka:

"My book Leto happens in Boka. It is a sort of a youth thriller, but with a lot of melancholy. It happens in a small place in Boka; you can guess which one. It is about a family meeting, how they spend holidays there, gathering from different parts of the world…” After that novel, Miklja started publishing in the Laguna publishing house. The last one, “Before It's Too Late”, speaks about plenty of reasons for concern in the world.

Spending his summer in Boka, Miklja is working on his new novel. He admits to us that he expects a lot of it. It's a novel about arms traders. But there is also a love story. Despite his careful synopsis writing took him in some other direction, Miklja said. We are yet to see where.

29 May 2019, 10:42 AM

May 29, 2019 - The Music Education Society of Tivat, the oldest cultural institution in this city, marks 110 years since its founding. A central manifestation in the year of the great jubilee, a tour of at least 12 wind orchestras, is scheduled for 15 June at 7 pm. The program named"Big Noise" implies the defile of the city's street center, the joint performance of marches on the city waterfront of Pine, and individual representations of wind orchestras from Albania, Croatia, Bosnia and Herzegovina and Montenegro.

City orchestras have in the past been significant features of cities along the Mediterranean coast. Nevertheless, numerous challenges have arisen; there are not a large number of cities that have preserved this tradition today. In Montenegro, along with Tivat, wind orchestras operate in Herceg Novi, Kotor, Đenovići and Budva.
 
Apart from unavoidable participation in all manifestations of importance for the city, the Music Education Society today can boast numerous performances throughout Montenegro, but also in the countries of the region. Recently, they returned from a tour of the wind orchestras in Shkoder, Albania, where eight music companies performed.
 
music education society schoderTivat City Orchestra- Music Education Society in Schoder, Albania, Copyright: Society's FB Page
 
"Although the eight orchestras at first glance seem like a lot, there are actually a significant number of musicians in one place," says Nevilla Klakor, the Kapellmeister of the Music Education Society Tivat, expressing the pleasure that an even more significant number of musicians will take part in the 110th birthday in Tivat.
 
music education society nikoleta celanovicMusic Education Society in Performance, Photo by Nikoleta Celanovic
 
Unlike most other societies of this type, the Music Education Society of Tivat is in the ambit of the amateur orchestra, in which the musicians perform without compensation. Therefore, the prizes and plaques earned in Shkoder are even more valuable and significant. "The wind orchestras in Albania are connected with music schools that make them professional musicians. Our Society is amateur, made up of different generations, musicians from eight to 68 years. In recent years, we have had a significant change of generations; part of the orchestra is composed of children of elementary school age. In that sense, Tivat Music School is a source that regularly complements us with young forces," explains Nevilla Klakor.
 
When asked about the importance of the Music Education Society of Tivat for the development of music education in this city, the president of the Society, Boris Lanceroti, said:
 
"We can say that the Music Education Society was and still is a kind of support when it comes to music education in Tivat, primarily in the sense of long tradition. When something exists for more than a hundred years, it is undoubtedly a traditional basis for repeating the same activity in some other form. The music school is a public institution that represents a different profile of the organization. However, our continued cooperation, already processing the tradition of the people who played in our Society, and later acquired the title and professor of Music, certainly make this connection essential and will last for the benefit of our organizations, as well as the well-being of the city."
 
Gradska muzika Tivat 30 tih godina 20.vijeka resizeMusic Education Society orchestra in 1930s
 
Based on a long experience in the field of music, Boris Lanceroti states that Tivat has excellent musical potential when it comes to wind instruments, perhaps the biggest in Montenegro. "It takes only a little better organization to present Tivat as a guideline in the field of wind instruments, especially when we have in mind that the Music School in Tivat, both primary and secondary, has already profiled itself as an important educational institution for training.
 
The Music Education Society of Tivat was founded in 1909. "One hundred years, it can be done as a moment. But when you begin to analyze documents, events, people based on photography, knowledge, and the story, then you realize it is an extended period. Especially precisely this period - from 1909 to the present day, as there were wars and various situations, both good and bad - then you were increasingly proud of the people who were members of the Society, who managed to maintain the Society in all these situations."
 
Speaking of the founding of the Music Education Society Tivat, under which name it was founded in 1909, Lanceroti emphasizes that it is essential to know some of the events that happened before that year, which created the atmosphere for such a society to be founded.
 
antun i anan zezelicAntun and Ana Žeželić, founders of the first music school in Tivat
 
"In Tivat, of course, people played and sang even before that year. They played, making their everyday life better with various celebrations. Antun Žeželić formed the first organized orchestra in Tivat with 12 members in 1891. Fortunately, we have their photo, we recognize all these people, and we can see the instruments they played, so we know the structure of this orchestra. It was a professional group of musicians who performed classical music. In addition to this orchestra, it is worth mentioning the establishment of a Music school in Tivat in 1900. The same Antun Žeželić founded this school with his wife, Ana. Both were teachers at the Public school in Tivat. The first music school was in the house of Jako Golub in the village of Tripovići, in the locality which in Tivat is called Donji Kantun. The next company to be mentioned is Starčević Tamburitza Orchestra, founded by Šime Staničić, known as Šimeta in 1906. I consider all this as preparation of the atmosphere and habits of people for organized dealing with Music, and preparation for that year in 1909 and the founding of the Society,"explained Lanceroti.
 
Sime K. Stanicic SimetaŠime Staničić called Šimeta, one of the Music Education Society Founders
 
The Music Education Society Tivat was founded by Ilija Sindik, Sime Staničić, and Filip Vuksanović. These are the citizens of Tivat who were able to write down their wishes, formulate their intention to establish an orchestra, and gather the courage to present this idea to the mayor, captain in retirement Marko Krstovic, who performed this function voluntarily. They managed to convene the City Council, and the Council adopted the Decision on the Establishment of the Music Education Society. Everything was transparent under the then law and regulations. They only had the last and most difficult to provide funds for the purchase of instruments.
 
"There are still some facts on the scene, without which the establishment of this Society would be almost impossible. In the then Arsenal, the Austro-Hungarian Navy had its orchestra, at that moment with two Kapellmeister. One of them was Czech; his name was Antun Blažek. Asked to make a specification of the instruments for the Music Education Society Tivat, he normally envisioned the procurement of Czech instruments. He brought this specification with the prices of instruments to the City Council, which decided to finance their procurement. According to the witnesses of that time, the mayor trembled a bit, and said: "Poor children, do you know what you are doing?" I think that's close to the truth because that year the entire budget of the municipality of Tivat was sent for the purchase of instruments, there were no funds left for others activities," says its president, Boris Lanceroti. They say it was the first and only year when the budget was in the minus. The municipality went bankrupt by passing a decision on the purchase of instruments for the city orchestra.
 
"Antun Blažek was also the first Kapellmeister of the Music Education Society, which then gathered 23 musicians. They were not people who knew the notes, knew the instruments, or could play. He taught them everything and Music, as citizens of Tivat still call it. The first appearance was at today's intersection, near the Old Town Hall. The reason for the show was the visit of the Austro-Hungarian crown prince, Archduke Friedrich," said Lanceroti, emphasizing the pleasure of seeing the photo from that performance today in the cabinet of the president of the municipality. That was the beginning.
 
Later, the Society performed for the pride of all citizens, and there were also situations when they did not want to play, again for the pride of citizens, explains Lanceroti. There were also situations when they were banned from performing. What was the constant- significance of an event in Tivat was measured by the entire century of whether the Music Education Society took part in it. If it was music, the gathering was significant; if there was no music, then it wasn't so valuable.
 
glazba 3Music Education Society Performs in all manifestations of the importance for the city, Photo by: Antonela Stjepcevic
 
These attitudes towards the city orchestra of Tivat inhabitants also have today. In addition to the cultural and artistic, the city orchestra of Tivat and its citizens has a strong symbolic and emotional character. With the city in good days, with its citizens for the sad moments, the performance of the Music Education Society was a regular segment of the funeral ceremony. Due to the shift of generation, the orchestra has lost this function, which it had since its first decade of existence. But the relationship with music is ongoing.
 
gpd vijestiNew Year's Concert of the Music Education Society, Held in Decembre 2018, Photo by Sinisa Lukovic, Vijesti
 
"For our very successful New Year's concerts, the concert halls are always filled to the last place. Last year's show in the biggest concert hall in the city, in the Administration building of Porto Montenegro, confirmed this again. That is what makes us happy, what gives us strength. At the end of the year, when we are tired of all the problems and challenges, and at the concert, we are welcomed by 700 people, then all our efforts and renunciation gets the full meaning, and we continue," says the Society's Kapellmeister Nevilla Klakor.
 
glazba 6Music Education Society, Photo by Antonela Stjepcevic
 
On the occasion of the great jubilee, 110 years of activity of the Music Education Society of Tivat, our city will host many orchestras from the region, who are going to magnify its birthday. Participation at the birthday party of has so far been confirmed by 12 wind orchestras, which, knowing that the average number of members is between 30 and 40, leads to the number of about 350 musicians who will play on the streets of Tivat on 15 June. The program called "Big Noise" foresees the great defile of the streets of the city from three directions towards the city waterfront Pine, where the orchestras will arrange a joint performance of the marches. 
Each orchestra will have its term to present its program and the way of playing to the audience in Tivat. "I think it will be a big event, for the citizens of Tivat, as well as for all the guests who are in our town on that day, and certainly for us," they added, inviting citizens to join the celebration of the 110th birthday of the oldest cultural institution of Tivat.
 
The manifestation to mark the 110th anniversary is supported the Tourist Organization of Tivat and the Municipality of Tivat, and many local institutions, companies, civil society organizations, and individuals are grated to take part in the festival of wind orchestras scheduled for 15 June from 7 pm.
 
21 Feb 2019, 14:36 PM

February 21, 2019 - The Citizens' Movement  "97,000 Odupri Se" (97.000 Resist) organizes the third gathering in Podgorica on Saturday, to express the civic protest because, as stated, the dysfunctionality of all segments of the political system in Montenegro. A new gathering in front of the Prosecutor's Office building is scheduled for 23 February at 6 pm. For this occasion, we spoke with a member of the organizing committee of the protest campaign, Ilija Gajevic.

TMN: You have made it clear that the first caption for the launch of civil protests "97000 Odupri Se" is the conduct of the Supreme State Prosecutor's Office and the Special State Prosecutor's Office in the affair of the Koverta (Envelope). But, at the same time, you point out that the reasons for the citizen's revolt are unmistakably more, referring to the many affairs that have been shaking Montenegro for years. Why is this case more delicate than any previous scandal you apply?
 
Ilija Gajevic: This case is different because we have never before seen the malfunctioning of our legal institutions openly like this. After the "Envelope" affair, it was tragic to watch the officials as they tried to convince the citizens that what they saw did not see. And if it is true, what they saw, they would have nothing to do with it, because what they saw remains irrelevant in our legal system. At the same time, the Special State Prosecutor Milivoje Katnić the deaf of the affair, a high official of DPS Slavoljub Stijepovic, heard only once. After that he attended the session of the Presidency of the ruling party like nothing was going on.
 
At the same time, this case is not much more convincing than many previous affairs when the inefficiency of the system was also in place. We have always been for the sake of efficiency, and they have a "perfection", exclusively to the credible members of the ruling party for which the laws of this state do not apply in the way and to the extent that it refers to all of us gathering in the only free institution of this state - the Street.
 
TMN: At the second round of protests, you stressed the urgent resignation of the president of the state, Milo Djukanovic, Montenegrin Prime Minister Dusko Markovic, Supreme State Prosecutor Ivica Stankovic, Special Prosecutor Milivoje Katnic, and Director of the Anti-Corruption Agency, Sreten Radonjic. Do you think it is possible to reach such goals institutionally?
 
Ilija Gajevic: No. Our requirements are directed to the unification of all progressive elements of society. They call for dialogue and the realization of the broadest possible consensus between all the progressive elements of the society. We do not trust the institutions, and we do not expect any of them. However, these same demands can also exert pressure within the institutions because, we believe, the regime officials themselves will begin to cancel obedience when they inspect finally that they are on the other side of the law and that it entails consequences for them.
 
TMN: One of the main issues present in public is who is behind the protest organization. Are you trying to input, control, and manage from some foreign power addresses? Who is behind the protest organization? Who are these citizens?
 
Ilija Gajevic: Behind the protest is now a broad, horizontal group of over thirty free citizens. Likewise, behind the demonstrations are all those who feel like second-rate citizens and become micro-leaders in their circles, writing support statuses, motivating family members, colleagues, and friends to come out and find a free walk in the streets of the capital. Behind the protest are all those who, with their photographs, video footage, and words overwhelm the media campaign run from the media addresses close to Milo Dukanovic.
 
TMN: Among other things, in the press, we could find out that the NGO Atlantic Association will be involved in monitoring the protest to find out who is behind them. How do you comment?
 
Ilija Gajevic: That's their legitimate right. We expect them to find what our answer was to the previous question. We hope that knowledge when they come to it during the monitoring process will be shared with the public.
 
TMN: There are several well-known civilian activists in the organizing committee. In some media, some of them are trying to show up as dangerous elements?
 
Ilija Gajevic: This is an expected move by the regime media. We believe that to expose these types of manipulation requires minimal mental effort, so in the vast majority of citizens, it is just the counterfeit of the desired. It strengthens confidence in our team and intent.
 
TMN: What, for now, are the reactions of the international community to the situation in Montenegro? Does the perception of external factors depend on the courage of Montenegrin citizens to go out into the streets and express their dissatisfaction with the political and legal situation? Is the international community also wondering "who is behind the protest in Montenegro"?
 
Ilija Gajevic: First of all, we are delighted with the fact that a significant number of regional and international media have conveyed the news of a peaceful gathering of over 10,000 free citizens in the streets of Podgorica. We do not think that Montenegrin citizens expect too much from the international community, bearing in mind the same international community of all the previous elections that it oversaw, despite the apparent irregularities, has been declared free, democratic and valid. The message that we have sent to Europe is that they, as far as values are concerned, have much better associates in us than in the existing regime. However, besides these positive messages, we have also asked whether they feel the responsibility for the long, unbearable DPS rule that brought us into a legal and political situation where the only independent institution in Montenegro remains the street.
 
TMN: Journalist Esad Kočan wrote for Vijesti a commentary on the political situation in Montenegro and the potential scenarios that might follow. What he said was that in the event of a ruling outfit, the opposition would be on a test that would show their capacity to establish a healthier and more functional system in Montenegro than the existing one. Do you see the political strengths having an ability for that?
 
Ilija Gajevic: Absolutely yes. First of all, we see the power of the citizen as the bearer of the sovereignty of each community. The citizen finally got his space. We also know the existence of sincere intent and willingness to work together to change and build the new system. Our organizational team is not interested in party interests. We are concerned only with cooperation with citizens, which will focus on the common goal. The prerequisite is to make a consensus about fundamental humanistic values. For now, we believe that this agreement has been reached.
 
TMN: In inviting citizens to join you on the "Odupri Se" Movement, you ask them to ignore all differences and disagreements among themselves, and concentrate on jointly fighting, as you say, a dysfunctional system inherent in the ruling party and its president and the President of Montenegro, Milo Djukanovic. Montenegrin history was marked by polarised in all times and all critical historical moments. Why should we believe that this moment could be different?
 
Ilija Gajevic: We need to believe because all the elements necessary for this process have long since been present and mature. We think that public consciousness was activated. It is the consciousness that understands why it is essential to be free, which recognizes that we have an influence on the world around us and why it is vital that we can decide what this impact will be. We began to understand that we should not accept the decisions that others make on our behalf for their benefit, ignoring the destructive influence on society and lacking a sense of responsibility for their actions. We have to believe it, because all the messages, comments, calls we have received from fellow citizens convince that. 
 
We felt that there was a vast number of fellow citizens who shared our values but found no way to channel their voice, which turned out to be true. 97 000 Odupri Se is an opportunity for all of us to be citizens. The response to the protests is that this need has overcome all the differences, which are an integral part of every civilized community and ours. We will have the opportunity to bring our opinions and interests into line. But, the first goal of this movement is to create a healthy social climate, which will not resort to manipulation of differences among the citizens of this country.
 
15 Feb 2019, 17:00 PM

February 15, 2019 - The sea captain, Tomo Katuric, is the president of the Alliance of the Philatelists of Montenegro, but also a member of the Royal Philatelic Society in London and the European Philatelic Academy in Paris. His great successes recommended him also to be a member of the jury of the World Association of Philatelists FIPA.

Tomo is one of the two people from Balkans to become a member of the Royal Philatelic Society in London, sponsored by Queen Elisabeth II. The Society was founded in 1869 under the patronage of the royal family and consists of 1609 members.

“I become a member in January 2007 with the recommendation of Mr Alan Higgins, an English Lord- one of the leading persons in the world of English philately, as well as at the recommendation of the President of the Philatelists of Italy- Alessandro Agostosi. It was an honor and a pleasure because you can be recommended there only through your success, and by that time I had already had two world gold medals- from Washington and Malaga,” explains Tomo Katuric.

“The gold from Washington is very special to me because it stands as the first gold medal engraved in the culture of Montenegro - as the first gold medal coming to Montenegro after the referendum on independence,” says Tomo. The World Philatelic Exhibition, held in 2006 in Washington under the patronage of the President of the USA, was also the first public solo performance of the Montenegrin Postal Service at a philatelic exhibition after 1897. Tomo won the Gold medal among 650 exhibitioners from 70 countries presenting his unique collection “The Postal History of Boka 1809-1875.”

He is the successor to the old Captain's family from Kamenari in Boka Bay. About 50 percent of philatelic collections that he now owns with his wife and son succeeded, while the rest managed to upgrade to world auctions, thus reaching the world's largest philately class.

“The Katuric family arrived in Boka in 1697 during the Turkey-Venice wars, also known as Moreja wars. They were mainly sailors and merchants. My great grandfather Mato was a sailing ship captain, my grandfather Tomo was a merchant, inherited by my father Djuro, also inheriting the bar in Kamenari in 1906 which has been opened ever since,” explains Tomo.

He started exhibiting in 2001, but he took on philately in 1974 when his uncle Lazar “handed” his collection to Tomo to continue the tradition which had been started by his great grandfather Mato. Katuric’s collection is unique, and its big part comes from the family correspondence letters.

tomo katuric postal history of bokaFrom the collection "The Postal History of Boka 1809-1875", Copyright: Boka News"

"Today, Tomo owns up to 15 gold medals from world exhibitions. The greatest attention and acknowledgment is drawn to his main philately collecting collection from the days of Napoleon and the Austro-Hungarian monarchy. The collection "Postal History of Boka Bay 1809-1875" contains 250 letters, or 128 pages from the Napoleon era. It includes the first postmark issued in Austro-Hungarian 1850, as well as letters from the time Napoleon ruled over these areas. Until 1850, the letters were only sealed, qualifying as pre-philately, but in the collection, there were also letters with stamps, that is, after the founding of the Post Office of the World in Bern in 1874, when Montenegro was one of the 22 founding countries.

The family of Katurić is a collection of four collections, and besides mentioned, Tomo owns a philatelist collection "The Boka and Montenegro Occupation 1941-1945." The son Djordje has a collection of "The letters of the Bokelian Sailors 1839-1880", and his wife Jelisaveta achieves remarkable successes on the world exhibits presenting her collection "The Letters of Sailors from the Austro-Hungarian Fleet 1914-1918". According to FIPA rules, one man can exhibit a maximum of two, and a family of four collections. The Katuric family is also unique in our country and can boast of over 40 of the most significant recognitions of European and world exhibitions.

It is interesting to point out that the post office in Boka Bay, or more precisely in Herceg Novi, has been open for 70 years longer.

"The post at Herceg Novi was opened in 1804, 70 years before Cetinje. This shows us the history, culture and the mail of these regions. This kind of information cannot be praised by most of the 92 member states that are gathered by the World Philatelist Organization."

All collections of the Katuric family talk about Boka Bay and its maritime history, which is not surprising given that the love for collecting and seafaring are the inseparable segments of their members' lives for more than two hundred years.

Tomo is delighted to bring the story of the culture of our region around the globe, even after the celebrated era of the Bokelian maritime affairs. “I have been to and exhibited on all the continents, except Arctic and Antarctica. Thanks to philately and sailing, I have visited more than 200 cities and have seen five out of seven world wonders, proudly representing my home place Kamenari, the town of Herceg Novi, the Boka Bay and Montenegro.”

There is no rule to the profession most commonly dealing with philately. Still, within the circle of the top world philatelist, Tomo is the only seaman. “It is interesting that I am usually not called by my real name but “Bocca di Cattaro”- after my collection,” Tomo proudly marks.

08 Feb 2019, 10:52 AM

February 8, 2019 - We are introducing you Kristina Skanata, a specialist in media and public relations, a passionate traveller and a great fan of Boka Bay. She began her career as a journalist at Budva Television and has been part of the Porto Montenegro PR team for six years. Kristina's creativity is at work, in her recognisable style of dress, entertainment, and decision to indulge in real adventures by travelling to distant and exotic destinations.

TMN: You started your career as a TV journalist. For six years now, you’ve worked in the PR department of Porto Montenegro. Can you compare the two roles and explain your decision to move away from TV? Do you miss being behind the screen from time to time?
 
Kristina SkanataKristina Skanata, photo by ZOAN Photography
 
Kristina Skanata: Public relations are an exciting, intense and unpredictable industry - it is a fusion of communication skills and creativity, visionary ability and cause-and-effect relationships. A typical day covers press releases, copywriting, giving speeches, composing creative media campaigns, conducting interviews, producing press clipping reports, as well as working on Corporate Social Responsibility projects. We also have a strong focus on events, which we design and execute to form the lifestyle experience at our superyacht marina village. "Truth well told" is my PR motto, and it works pretty well in all spheres of public relations, especially in a PR crisis. My passions are copywriting and luxury travel videos - that's what I miss most from my previous role in television. It is for this reason that I approach creative photo and video projects for Porto Montenegro with great enthusiasm.
 
TMN: Your job is very creative. How important is it to be a team player when you are part of a big company? How do you find working in an international environment? Does it impact your everyday life?
 
Kristina Skanata: The international professional experience gained through growing up in Tivat is a benefit to all of the locals working on the Porto Montenegro project. I enjoy all of the rituals of everyday life - cycling to work my favourite (of course, with my heels in the bicycle basket), and enjoying a coffee and croissant while reading the daily newspaper on the waterfront. I love the hustle of the office - we work intensely and proactively on all aspects of marketing and PR. Amongst the creative "chaos", we have to make time for whistle-stop tutorials on film premieres, fashion collections and good books, and my personal favourite, the so-called daily sugar fix, from the local pastry shop. All of this creates a good foundation for brainstorming, team synergy, motivating one another and creating an environment fit for professional and personal development – it all forms part of a very "ordinary" working day in Porto Montenegro.
 
kristina Zajedno za zajednicu opsta fotografija"Uplifting the Community" project, Kristina Skanata
 
TMN: You always have to come up with new ideas to meet your corporate and public needs. It’s this creativity that gave birth to your plan for the "Uplifting the Community” project. How easy or hard is it to determine which campaigns will work best?
 
Kristina Skanata: Porto Montenegro is undoubtedly the local leader and innovator when it comes to philanthropy - so far, over 3 million Euros have been invested in the local community. Part of this investments has been acquired through donations and sponsorships of cultural, sports, health and educational institutions, the other part being a more immaterial donation in the form of supporting education and creation of cultural capital. 
 
A project that enjoyed my particular attention was the "Uplifting the Community" initiatives, where Porto Montenegro employees received a paid free day to participate in activities to support the local community. I am most enthusiastic when working on projects relating to the renovation of schools, their grounds, parks and sports facilities, which bring long-term benefits to the local population and incentivise all affected to work towards creating a better everyday life of all citizens.
 
kristina Torres del Paine PatagoniaKristina Skanata, Torres Del Paine, Patagonia, private photo collection
 
TMN: Outside working hours, you get to enjoy your free time. What are your usual weekend plans? Do you attend shows/manifestations?
 
Kristina Skanata: The Mediterranean village of Gornja Lastva, perched on a hill overlooking the Tivat Riviera, is a lovely spot to get headspace. The Verige Strait offers perfect views of Perast and two charming islands: Our Lady of the Rocks and St George. For a social time, I tend to choose a relaxed tavern environment with friends - "Bokeski Gusti" in Prcanj is one of my favourites. I love urban lounge-jazz, so you can probably guess that Casper in Budva is one of my summertime hideouts. On weekends, I’m most likely to "escape" to Ada Bojana. For the best evening out with great entertainment, I recommend a performance at the Mediterranean Theatre, Purgatorije, during the Tivat Festival. 
 
TMN: As a student, you drew inspiration for your creative work from the natural and cultural heritage of the Boka Bay. Is it the same when it comes to working?
 
Kristina Skanata: For years, international media publications have featured articles on Porto Montenegro and the Bay of Kotor, as written by the most respected travel journalists, from Conde Nast Traveler, RobbReport, Tattler and Boat International. It’s always a pleasure to convey the "rhythm” of the destination, from the perspective of National PR Manager of Porto Montenegro, as well as a local girl portraying the ‘Boka’ way of life. To give journalists a rustic understanding of the region, I like to relay the maritime biographies of Ivo Vizin, Jacinta Kunjic, and Penelope from Boka, as well as retell local legends like that of the Three Sorelles. Both the Boka Bay and PR are my way of life - I take great pleasure in their synergy.
 
TMN: Do you find that Porto Montenegro is becoming an integral part of the Tivat Community?
 
Kristina Skanata: The years of development of the Porto Montenegro village have seen the transformation of Tivat, maximising the town’s potential, and elevating its traditions and nautical heritage - the fusion of the city with the PM project creates innovation and a "City of the Future" atmosphere, which Tivat indeed is becoming. Many locals from Tivat and the wider Boka region, amongst them, myself, now have the opportunity to work in an international environment, with exposure to luxury brands and different industries, as well as the chance to open private businesses in a stable economy that complements the Porto Montenegro project and tourism influx.
 
kristina pustinja Wadi Rum JordanKristina Skanata, Wadi Rum Desert, Jordan, private photo collection
 
TMN: You're passionate about travel. But are you a traveller, or a tourist?
 
Kristina Skanata: I strongly support my theory that the best life stories are "sealed" within your passport cover – and crafted in the deserts, rainforests and when faced with miracles of human civilisation. I am not a tourist, but a traveller - I like to meet local people and experience their typical rituals of everyday life. I spent half a day at a Cambodian school where some of the children saw a camera for the first time. My landlord, Manuel, from Havana, guided me to a tobacco factory and taught me how to tell a real Cuban cigarette from a fake; in Petra, the nomads led me to hidden fortifications that you would never find in a tourist brochure.
 
kristina Tajland TigarKristina Skanata, Thailand, private photo collection
 
Such stories epitomise the essence of what is often the most beautiful, and sometimes risky, life experiences. From moments of great courage and madness whilst stood next to a tiger in Thailand, I also dared venture into one of the most dangerous favelas in Rio de Janeiro with my friends - a place that even the Brazilian postmen tend to avoid – where the nearby clashes of local gangs could be heard from only a few metres. 
 
kristina Venecija ItalijaKristina Skanata, Venice, Italy, private photo collection
 
Aside from the above, I'll always choose to return to New York! Just enough to become reacquainted with the concrete jungle, sayings like "have a nice day", bright yellow taxis and friendly drivers, Starbucks coffee (which somewhat subjectively never tastes the same outside of New York), the fast-paced lifestyle, all-glass skyscrapers and smiling doormen in their uniforms… a place where I reenact scenes from episodes of Friends and Serendipity and connect with Sex & City. The famous shops and "artistic" part of the city, Greenwich Village and Soho are known for their European architecture, small brick houses, the artists that inhabited them, and the richness of identity, subculture, colours and design.
 
 
 
01 Feb 2019, 13:17 PM

February 1, 2019 - Zoran Nikolic from Prcanj is one of the most famous Bokelian photographers whose landscapes of Boka Bay stop the breath of the audience from all meridians. This lover of nature and humans records the game of light and shadow on the slopes of the rugged mountains, and their reflection on the sea surface with a lot of patience and knowledge. As he said, he records the beauty of which we cannot escape in Boka Bay, wanting to awaken a beautiful feeling in people. He is entirely successful in this, often answering the question of where this "area of the miracle of beauty" is, as the poet Frano Alfirevic characterized Boka Bay in the 19th century.

zoran nikolic 5Prcanj, photo by Zoran Nikolic
 
In Zoran's photographs, Boka is still a place of the unique cultural landscape, fascinating natural contrasts, modest people, who, in harmony, live in stone palaces and small houses along its coastline, go fishing, celebrate their festivities, and celebrate life.
 
Zoran has adored Boka since his childhood, when in the summer months with his parents, leaving Sarajevo, he returned home to his ancestors. Wooden boats floating in dry stone Mandraci, the song of fishers returning from the sea, the beauty of stone plastic on the facades of the palaces, the grand and modest Bokelian churches, are all the pictures that he had seen in his earliest childhood.
 
Zoran started doing photography as a fifteen-year-old when he got a small, analog camera. His love of photography as a medium was born very quickly, and in his Sarajevo apartment, he even improvised the laboratory in which he made his first photos. Studies and later the work of a social worker took him away from his hobby for some time, and his return to the photopraphy bound for the arrival in Boka, which in the war of the nineties had permanently replaced his Sarajevo address.
 
Then a family wooden boat came in, and he owed special love to this valuable segment of the cultural heritage of our region. And we owe it to him that, in cooperation with his cousin, the late Branko Nikolic, launched the blog of Wooden Boats (https://drvenebarke.blogspot.com/), the first concrete initiative for recognizing wooden boats as a valuable segment of the culture of life on our shores.
 
zoran nikolic 9Detail of wooden boat, photo by Zoran Nikolic
 
"I own a wooden boat my parents bought 49 years ago. Our family boat has given us much love and beautiful memories. She is an integral part of our family if I can say so. When I moved from Sarajevo to Kotor in 1992, I took care of that boat. It is important to me that she exists today. It is in excellent condition, sailing, and it does not matter to me how much it costs," says Zoran about his wooden boat, one of the few still decorating our sea and shore. It is a costly and demanding job, but as Zoran says in his blog, "The wooden boat never gets old, as long as there is wood and good craftsmen."
 
Zoran is a member of the non-governmental organization Camelia Stoliv, who has recognized his efforts, and in its traditional manifestation  “Camellia Festival," for the last ten years has also engaged wooden boats in part of the program bearing the symbolic name "Camellia Trophy," deliberately hinting at the Camel Trophy. This event aims to promote the popularization of wooden boats, as well as to influence the competent state bodies to take measures that will stimulate the owners of wooden vessels to persevere in a struggle to keep them alive.
 
zoran nikolic 8Camelia Trophy in Stoliv, photo by Zoran Nikolic
 
"We have been working hard for many years, and our manifestation attracts a lot of people. The owners of wooden boats come in, with no more than 10-12 boats, but also visitors who are interested in it. After the fishing competition in wooden boats, as well as the competition in rowing of wooden boats, we are obliged every year to arrange a round table and invite people from the competent institutions - Harbor Command Kotor and Bar, relevant ministries, all those interested in helping us in any way.
 
There is a response; there is a shift. The latest success in this field is the initiative of the caliphates workshop Bokovac and my friend Nenad Bokovac to recognize and protect the craft of wooden boat making as the immaterial cultural good of Montenegro. The Ministry of Culture has accepted this initiative and initiated a procedure for establishing a regime of protection, which is indeed a big and significant step. However, to protect the wooden boat itself, we are now preparing a new initiative to the Government of Montenegro where we will ask owners of wooden boats to release various taxis when registering boats, as well as charging berths and marinas along our coast. We think that such benefits would help to make that little wooden boat how much survived did not disappear. It is our goal because they are less and less per day in Boka because the people who own them are not always able and may not have enough knowledge to care for them. They do not have the conditions for the mastery of these, and these masters are less and less. That is why this is the last cry, our attempt to prevent their disappearance," explains Zoran Nikolic.
 
The blog "Wooden boats" is somehow a classroom, a place where you can find lots of useful information and instructions on how to repair a wooden boat. Additionally, this blog is also an art gallery with a large number of professional photographs that one day could become the perfect equipment for wooden boat maintenance manuals, which Zoran can draw from many texts he wrote on this topic.
Still, a wooden boat is just one of Zoran's artistic motifs. By moving to Boka Bay, when his interest in digital photography began, devoted to research and the unobtrusive recording of the scenes that surround him, Zoran over time gained the reputation of one of the most significant landscape photographers in this area, and during the last two decades he can boast of a large number of independent and collective exhibitions.
 
zoran nikolic 6Prcanj, photo by Zoran Nikolic
 
"I look around the world, and everything that makes me nice and what I think can attract one's attention, I photograph it. It's not enough to click on the camera for a specific motif. You need to have good equipment and plenty of knowledge to take advantage of this equipment to get the result that is delightful. I did it, nobody taught me," says Zoran, pointing out that he loves to take photos of beauty. ”I like to show people nice things, and I like it when my photos make people emotional. That's my goal as a photographer."
 
Zoran's works often end up among the best ranked on numerous international websites for photography. "When you are in Boka, and especially when you have a boat and sail the sea, wherever you turn the camera you cannot take a bad photo," says Zoran modestly. "I get a lot of positive reactions from the world. People ask me where my picture came about, where this beauty is. I answer to everyone, send a link, and explain how to locate us on Google Earth. The beauty of our Boka subdues people."
 
zoran nikolic 4Stone jettz, photo by Zoran Nikolic
 
When asked how a visual artist experiences changes in the landscape of Boka Bay, Zoran explains that as an artist he continues to try to tie for a nice one. He often finds it difficult to form a cadre that does not have some of the inadequate interpolations, such as large concrete constructions - he admits, he uses computer programs for photographic processing and corrects reality by removing markings in his photos.
 
Zoran finds time for his hobbies in the afternoon and during the weekend since this social work is as a therapist at the Special Hospital for Psychiatry in Dobrota. There, in the carpentry workshop, he teaches his patients the basics of crafts, enjoying them in the same way as the hobbies mentioned above. It seems that this lover of life, nature, and humans works in a circle of beautiful harmony, which he selflessly shares with his community and the wider audience.
 
You can find Zoran Nikolic's photos by visiting one of the suggested links:
 
 
 
26 Jan 2019, 15:38 PM

January 26, 2019 - NGO Hands from Herceg Novi is the organiser of today's Little Orange Festival, held in Herceg Novi for the fifth time. Orange is just one of the gastro topics they dedicate a large number of events to throughout the year. Their themes are, apart from seasonal fruits of the Boka Bay, handicrafts and other forms of creative work but also humanitarian work.

The Little Orange Festival is in some way an overture to the great Mimosa Festival, whose jubilee, 50th edition begins in Herceg Novi next Friday. President of NGO Hands Milina Kovačević is also the editor of the Mimosa Festival program. She reveals that during the launch of this festival, back in 1969, the organisers doubted whether it was devoted to mimosa or oranges. 
 
ngo hands 3Copyright: NGO Hands Facebook Page
 
"When initiating this winter tourist event 50 years ago, the tourist agents of Herceg Novi and some journalists who were delighted with our town had the dilemma of whether to dedicate it to mimosa or oranges. The decision has fallen on the mimosa, which gave us a chance 45 years later to do the Holiday of Orange, as the writer Nikola Malovic named it after our first festival," explains the president of NGO Hands.
 
Orange deserves to have a festival in its honour. "Orange is a wonderful fruit, beautiful, healthy, inspirational for us and our associates, who are creators in many areas, from applied arts, through handcrafting with the most varied techniques, some of which are traditional and some very modern to those who, with love and enthusiasm, deal with gastronomy. Among them, we have amateurs, but also professionals who prepare traditional recipes or invent new ones," says Milina for the festival, which this year brought together 35 exhibitors from Herceg Novi and other parts of the Bay as well as other Montenegrin cities.
 
Unlike NGO Deša from neighbouring Dubrovnik, which protected bitter orange as a symbol of their city, NGO Hands did not specify whether their party was devoted to sweet or sour oranges.
 
"Dubrovnik's bitter orange is a brand that they have built for over a decade. In any case, they were a model of how to make a good brand. They did serious research and made a catalogue of bitter oranges in their city. Our Small Festival does not overlap with any other in the surroundings and in that sense we have not given exclusivity to either bitter or sweet orange. It's just an orange feast. It is in the centre of our attention, and space also finds another citrus- lemon, citron, even Mandarina, although it is part of the Autumn Festival of NGO Hands," says Milina.
 
What is not part of the local gastro tradition, and the NGO Hands approaching this festival is the use of orange in preparation not only of sweet but also of salty meals.
 
"It is so with everything that grows around us. Thus, Tivat has a manifestation, a brand of this town, Dani Zucenice (Days of Chicory), which we could see in the organisation of our other seasonal party, which comes after thee orange - Festival Primavera. Primavera deals with wild herbs- edible, healing and spices. Chicory is an ingredient of traditional dishes, but gastro games are unimaginable, so chicory ended as an ice cream ingredient. The possibility of combinations is endless, often surprising but delicious. For those who are inclined to experiment and who like new tastes, it is exciting."
 
NGO Hands this year, for the fifth edition of the Little Orange Festival, managed to gather up to 35 exhibitors from Herceg Novi, the rest of Boka, other parts of Montenegro and abroad.
 
“Thirty-five exhibitors are present at the exhibition of domestic products and handicrafts. We have another 15 exhibitors at the donation table, which is always an integral part of our events organised for humanitarian purposes. That's a bit different for our feats compared to others. Consumption is a chance to learn something, but also an opportunity to be human and donate funds within capabilities, which we later refer to for humanitarian purposes. In this way, this time we will assist the project dealing with children with disabilities from our city. It is a project implemented by the NGO Serbian Sisters, according to the recommendations of the Commission for the Work with Children with Disabilities, where they are preparing for entry into the education system by patronage visits of logopedists, physiotherapists and teachers. It is for this time. We often support the actions of Iva Bjelić Foundation from our city, and we are always ready to respond to a call and join another, current humanitarian action." Milina has introduced us to another segment of NGO Work, which combines with their core program - community activism to turn to the natural heritage of Boka Bay and recognise it as valuable development potential.
 
ngo hands 7Copyright: Radio Herceg Novi
 
NGO Hands recognised the fact that for sustainable tourism development, we need to be what we are and find modern and affirmative ways to get closer to the public, both at home and abroad. In that sense, their seasonal celebrations glorify all that nature has given us in this area.
 
"Nature has given us much to celebrate. So we come back, leave the market and turn to the trees and nature that surrounds us, which is an inexhaustible source of exactly what is good for us. We know that we should consume the fruits growing in the place where we live. Therefore, during the year, along with the oranges and wild herbs, we celebrate and recommend ways to conserve and consume figs and grapes in the summer, on our Steps Festival. In Autumn, a whole variety of fruit, from the rays that swirling in September, over the carob, the mandarin, the kiwi, to the pomegranate, the king of our Autumn Festival. I think the potential of our Seasonal Fests is to make every season in Herceg Novi interesting for tourists because they get to know our gastronomy in this way. Gasto tourism is a growing branch of tourism all over the world, and gastronomy is increasingly present in the media as a discipline. Those gastro meetings in open spaces manage to get close to the people who come here, and they want more than anything to see our way of life, how we lived and how we live today," explains the mission of NGO Hands President Milina Kovacevic.
 
"There were some editions of the Little Orange Festival that had different trips to international cuisine. We have shown how the orange is used in Italy, England, France and so on. On the second occasion, we demonstrated that orange is present in literature and art. All this could in some way be activated and enrich our experience of everything that surrounds us and what for we need to be grateful," concluded Milina Kovacevic.
 
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